Although I’ve been stalking around the city with rage in my shoes, I still love my life. I can be angry and happy to be making art that resists fascism. Just like I can be sad and happy while thinking about my late aunt or afraid and happy at the top of Goliath at Magic Mountain. I am writing at the yellow coffee shop, with my gingersnap latte and plain bagel. I sit in the window, so I can people watch. I often spy friends from this seat. They’ll be trotting by, and depending on which one of us isn’t looking at a screen, the other one of us knocks at the window.
I always thought it was so funny and/or cute, when I’d learn about art history, how so many individual “names” actually rolled around in packs. French painters in their salons and beat poets in their dives and improvisers on the busy street in the most adorable nook of Los Angeles.
Much of my career here has been incredibly controlled. My days packed with meetings and a rapid clip of draft turnarounds and never saying "no" rudely and never making enemies. I’m moving with more intuition lately. I “get” a meeting with this high-powered IP-grabber at “the” top agency. She deigns me the right person to develop a hot new video game, all the rage. I ask if she knows anyone who has sold a feature based on a video game in the past five years. Her mouth forms an O then gets smaller and smaller then she shuffles papers and says, “I think I’ve heard of it happening…” After we end the zoom she forwards me a short story that Timothee Chalamet likes. I consider writing back, “This is really helpful, to know what kind of short stories Timothee Chalamet might like. My MFA is nothing. But this? This PDF you were paid 200K to find? Everything.”
Last Saturday I was supposed to have a morning meeting with a director, but had to push a week so I texted SW from bed, we should meet to write. Jam covered my fingers while she explained, it's not that people don't like me, it's that my existence makes them feel ashamed in ways I cannot control or understand. And most people would rather avoid their shame than preserve our relationship. It's not that deep, though it cuts deep. I am writing through it, but at least I don't worry about losing. I've been through this before. My voice will follow you down. And against all odds, I will probably forget about you before you can ever forget about me.
I decided, seriously, I needed to see Song Sung Blue in theatres. Made it to the mall just in time, sat in the back row and let Hugh take me away. Money talks--but it don't sing and it don't walk. It was a perfect Los Angeles evening, so I walked over to that ramen spot, sat on the patio. Made notes about a short story and dined on my cheap heaven dinner—an Impossible bao with a Diet Coke ($10).
Then this most recent Saturday--three days ago--I did get to meet with the director. I could tell he didn't really like my play, but he still sat with me for a couple hours brainstorming. Artists are so generous that way. I'm not too concerned. In general, women loved loved loved the piece and men were lukewarm. Sometimes a story is like that. Not everything is for everyone.
The afternoon was for as many emails as I could possibly respond to. I am under a lot of pressure. So many exciting opportunities, so many roads diverging, and then another American citizen was executed by ICE in broad daylight.
And then! I went for a girls' night with AB! She greeted me in pjs, holding a glass of wine, pop music playing. I told her she got an A plus. She'd texted at 9 AM asking what my favorite movie candy was, a beautiful bowl of M & Ms greeted me. We watched a perfect double feature, cheering during Revenge then stopping to laugh uncontrollably on the balcony before Drop Dead Gorgeous, the movie that made me love comedy. I love comedy so much. I believe it is medicine. I believe it is a weapon.
who can take a nothing day, and suddenly make it all feel worthwhile?
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