Spring Awakening

Saw Spring Awakening Friday night. I've had the soundtrack for years, but had never seen it staged. While I love much of it: the concept, the rockin' 90s jamz (Duncan Shiek what UP), there are some things I knew I wouldn't love about it. Mainly, MAINLY have been trying to avoid the line, "Oh, I'm gonna bruise you/Oh, I'm gonna be your bruise" since I first heard it in my earbuds on a Christmas road trip 2008. Woof. But, Ru was in a local production, so I went. Extremely satisfying. (And he was phenomenal. It's very exciting to see one of my artistic friends really making it.)

Thoughts Inspired By the Production:

-In modern times, people must understand their bodies, their urges--sometimes the two in conjunction, sometimes not. Either way, understanding leads to health. Physical and communal.
-Dancing is underrated. I am someone who does not think watching dancing is interesting. But, every time I see great choreography, I am quite pleased. If I as a "theatre person" attach this stigma to dance, consider the layman.
-I applaud Sater and Shiek for exploding out things that we all want to see. Things that are so obvious we didn't even know we all wanted to see! A poppy bunch of adolescents throwing up middle fingers to teachers? Yup. We all want to see that on such a base level no one knew to ask for it.
-I raise my eyebrows at Sater and Shiek for ultra-simplifying the relationship between children and adults in this show. If the point is that we must listen to one another, presenting a completely one-sided argument that adults are unfair and kids are the wise torch-carrier of the future is counter-productive. That's how generations end up feeling superior to the next in the first place.
-No one should want to be seen as unhealthy. And yet, some people do.
-If you play a snappy curtain call song, even if the audience was just subjected to an abortion-caused death, they leave bobbing their heads and smiling. Humans are horrifyingly simple to control.
-I don't care how much game gets talked about the non-linear narrative. Not having an ending to subplots is unacceptable.
-Overall, I've always been a huge fan of this model of theatre. Taking lasting source material and adapting it to current times in a unique and fresh way while maintaining some of the original oak. It's the perfect balance between respecting what has come before and respecting the need for progress in culture.
-We must go on to create a better world.

We walked into the night. Breezy and warm. It's been spring for months in the desert. But, it's official now.

The stars too, they tell of spring returning.