Dizz clarified last night on our FaceTime, "Oh so a World Premiere isn't just a thing you say. It's an official title." Yes, I informed, a play must be produced 21 times, invite press, and be presented "professionally"--with memorized actors and sets and costumes etc--to be an official WP. This summer my play will finally World Premiere. I've been working toward this for 20 years. I feel almost relieved but not quite yet. I'll celebrate in 32 days.
I've been saying this thing a lot lately, when people ask me about my career: "It's a miracle to even get one." And I believe that. It's an honor to ever create a single work of art that holds significance to others. I know I've done that with this piece.
But if World Premiere weren't an official title, then what would my world premiere have been? I think my world premiere was in my childhood bedroom. My family called it the "triangle room" because it was inside the eve of the house. Steep angled walls with blimp wallpaper. A tiny red desk. Glow in the dark stars and a moon. I think I was about six or seven years old. The play didn't have an official title. Maybe, in hindsight, I might call it The Magic Muffin.
I set up my favorite toy set on the floor--a collection of cups and cutlery and muffins that all changed color with water. Like, if you poured cold water into the juice glass, it turned orange. If you dipped the knife into water, a smear of raspberry jam appeared on it. Then you could wipe the smear on a muffin half and voila, a smear of jam appeared there too.
The show had, I believe, four or five characters and was created for an audience of one. The main character was large bunny with a Southern accent. She had a little sidekick, a bear I think. There may have been one more stuffy, but I don't recall who. I played the fourth character, a waitress. Twist, the fifth character was the single audience member.
I wrote the script, then recorded the three animals' lines into a tape recorder. I left long pauses for the waitress (me) to deliver her lines in real time. If the play went according to plan, the fifth character would never actually speak. I cast my father to originate the role. He accepted and sat dutifully on the floor to attend.
There wasn't much plot. Basically, the big rabbit was a chatterbox who overtook the whole conversation, while the bear yes'd all her opinions. The other stuffy chimed in occasionally with comic observations. I would zip in, ask everyone for their orders, and interact with each critter. However, whenever I asked my dad a question, the large rabbit would interrupt and order for him or speak on his behalf.
I remember I was overjoyed when the whole ordeal went according to plan. I'd rehearsed several times of course, but you never know what will happen once you premiere. My dad beamed through the whole thing. I'd leave the room and peek in at him through a crack in the door. I remember thinking it was funny he would look at the stuffed animal who was supposed to be talking even though all the sound was actually coming from the black tape machine.
I think the play was a hit, but it opened and closed that very day. I remember thinking next time I might try to take a risk and add space for the audience member to improvise. But we never remounted. And that's show business.