Lucky Friday the 13th

Woke up in a bit of a bad mood to be honest. Tech issues with one of my accounts, irritation with the Toy Conglomerate who is, as they say in the biz, really pushin' it. They sent another 40 pages of notes on the V4 of this three-minute commercial. I take at least a half hour to compose a message that means, "With all due respect, this is insane" decide on, "Can we hop on a call at 11?"

Puhg clears out so I bop around to Taylor and Joyce Manor, scuttle to the cafe just before 9. I slurp an iced tea and yap with Puhg about his gaming group and housing options for the summer festival. We're not sure where to place the director just yet because she will be bringing her one year-old. I'm glad to work with her and also glad I'm seasoned enough in indie producing to have firm boundaries around certain choices. Like how even though the little lump is an angel in meetings now, we have not met the teething version of the lump yet, so unfortunately she cannot stay in the same apartment as the cast. But! I do agree to pay her at a premium, so she can work out her own accommodations. Sometimes I feel out of my league in terms of professional experience because I've never made much money on my projects and bend most choices to accommodate the artists. Then I reconsider, what if these me-isms are what make actors text me in the middle of the night, "You know I'd love to be in one of your shows..."

I read a little of my blue book, jot a couple details in my journal, start eating frogs. Email city: schedule that DC dramaturgy meeting, that Santa Monica director zoom, make an appointment for laser treatment Wednesday, many drafts at communication with the young organizer. My new notes are littered with criticism the characters don't sound enough like Gen A. It's hard to explain to a corporation they don't want their cutesy characters screaming "SKIBIDI BRUH!" I text Diz for intel, straight from the goddaughter source. She sends me a few lists and even some video of a child offering some lingo. I love collaboration over art in this way.

I zip down to the salon so I'm first in the door when they open at 10. I'm meeting a new potential manager today and feeling a little like a dull piece of silver. Fresh claws could be my secret weapon. I'm delighted the usual manager hasn't arrived to turn on the TV. I'm also with the gal who hates speaking English the most. It's silent as she lotions my hands and the sun streams in.

I decide to take that work call from a perch near the grocery store. I am very friendly to my producer because I know she is not to blame for any of the recent malarky. She agrees I deserve 2K in overages to rewrite both scripts over the weekend. This is great news and infuriating news as whenever I start a contract everyone assures me there is NO money to move on the rate, and then someone who makes triple my salary will waffle on deadlines and opinions and cost the thing a bonus fortune. One thing that has helped me navigate this big bad world as a business of one is sometimes talking to my bosses as a representative of "Alice's Business." Like, hey, luckily you're talking to me, Regular Alice...but if you were talking to the Business of Alice, corporate would be using way fewer exclamation points! Not not Hulk energy. You wouldn't like Alice when she's angry.

On my trot home I pass a blonde girl in an adorable checkered two-piece and realize it's the star of the movie I worked on in 2019. I call out to her and we hug. She seems more out of sorts than usual and mumbles about moving to London because... I get it, I get it. It's a really nice little bump-in. She was playing 16 when we spent all those hours together. But she was actually 26. Now she's 32 so it's kind of like she doubled in age instantly, to me. She says she'd love to see my premiere this summer. We exchange numbers and I rush home to shove a bagel in my mouth and put on "nice" clothes and "nice" makeup and spritz myself with the "nice" rose spray.

Because I have a music improv show later I decide to listen to the entirety of the Little Shop soundtrack on my way to the meeting. I skip the skips (Mushnik and Son DIAF) and take a deep breath before heading into the big boxy building. My email pings, the Toy Conglomerate will only pay me $500 for the overages. I write back that means I will be doing a quarter of the work. I would have preferred to have the money, but this option means I don't have to work Saturday or Sunday, which might be worth more in mental health bucks, down the line.

What's such a shock is this manager is quite low key and nearly too cool, but for some reason that puts me at ease. We share our lore and randomly both loved the same small-budget movie last month. He says he wants to sign me, and I surprise myself when I explain I don't really want to do many more of these meetings if I can help it, I hate them, and I never want to dress this presentably again. It sort of spills out of me, "I'm a slob and socially awkward and I just need someone to handle my reputation so I can be left alone to write for god's sake." He says he thinks he can do that for me, and I think I believe him. But I have believed a lot of people in this city...

As we're parting ways he says he's going to read my play, even just as a fan. I blurt out I wish I could ask my old manager what to do. And so it was revealed to me, how much I've been missing her. And also how maybe I'm finally ready to move on. I drive home listening to my short story playlist. At home Puhg is making lunch and offers one of his little passing wisdoms. I kind of always refuse to work with men, but in this one instance, at this particular moment, maybe it would be good for me.

I slow down and have some buffalo vegan wings with carrots, watch a video about the creation of patriarchy, work more on that one cursed email, decide it's now or never and send it. A playwright who is always busy working on Severance gets back to me about her opinion on subsidiary rights. A playwright who is quite popular in the Theatre for Youth space calls me for advice on a film contest. He is desperate to get a lit manager, which he can't find despite his play having been done literally 2000 times. Meanwhile I have three manager offers I'm mulling over, but it's taken me four years to get a single shot at my play. The playwright on Broadway wrote me a few days ago, her show is a smash and her pitch was rejected by every studio. She's very sad her words will never be translated to the screen like mine have been. Grass, greener, etc.

Around 5:30 I get into "improv" clothes. I even find a running order from that Maine gig last fall. It feels like a kiss of good luck. I just got a promotional email from that theatre company, they'd used a stock photo of me and the other two gals on cast. I forwarded it to them, "We're famous!" They write back with xs and os.

The evening's cast assembles in the green room at the major comedy spot around 6:30. JB brings his son. I clock him around 11/12. He sits kind of sullen and alone, so I ask what grade he's in. I try 6th, and he quickly corrects 7th. Though I am privately proud I was so close, I wonder if he's humiliated, to have been deemed a smaller fry. I ask what he's learning about in school. "Europe," he says. Mhm, mhm. I try another way in, explain I'm writing a commercial and could use a correspondent. I riff on some of what I learned earlier that day. "So I understand 'tough' means 'cool' now." He agrees. I ask about "no cap" and he shakes his head. Eventually the whole cast is gathered around this muffin. He tells us only his generation will ever know the true meaning of 6/7. We nod, that's fair.

What unfolds is a show I will simply never forget. We get the suggestion Mean Boys and launch into a high school locker room full of hormonal teens. I play JH's English teacher, worried he's too sensitive to fit in. JB plays the angry school jock/bully. AW does crude bits and riffs and smokes the whole crowd with her pipes in the 11th hour. RB, who I consider the greatest improviser alive, plays an emotional girl and a closeted boy and brings down the house with one line, twice. There are references to fetch and October 3rd and the a huge dance finale in which the bully cries and becomes best friends with the sweetie and together they bust several moves. Afterward we're so happy. I am always proud when we really serve the crowd. And then JB's son meanders backstage. He takes our photo. I decide in my heart, it was all for him.

I walk home, zipping through the crowds outside. Strangers call out after me--great job, good job, wow you guys killed. I tromp up past the park with the new Harry Styles and when I'm a block from home a man darts out from the shadows at me. It's Puhg! He accuses me of being high on comedy, and I confess, he is right.

I revel in the night air, take a long hot shower, and settle in for Frasier with a plate of heart-shaped sugar cookies from my mother and a big earl grey cookie my sister found at the beach town bakery. Fall asleep on Puhg, during the one about Marty being bad at accepting gifts.

what kind of a boy am i

busy Monday

up at 6, read my horoscope, it says to get dressed, so I do and I watch the sunrise on the balcony while journalling, go inside at 7 and work on my commercial for the Toy Conglomerate, it's a three-minute commercial and they sent me 47 pages of notes on my second draft, Puhg wakes up at some point and heads out for a walk, when I finish the script I put on my Taylor Swift zip up and head to the cafe, get there just about 9 am

order an iced tea from my preferred barista, sit with Puhg and we talk about travel plans for summer, the festival in Edinburgh mostly, he's got a job interview and I wish him so well, I stay for another hour reading my Polumbo book and organizing my schedule for the week, it's a busy one, I open Instagram to see some DMs and likes and news about Iran, terrifying and disturbing

shuffle home for a quick dance workout and shower before my 11 am zoom with my producers for the animated film, I really like these guys but it's interesting to work on a team of men, so different from what I'm used to, they're goobers, we're pitching AM next week and then SR, lots to do and we're behind but that's not my problem, though it IS MY PAYCHECK!

as soon as I hop off my lawyer calls, we talk about my two theatre deals, everything sounds like good news, I really like her though she always sounds tired, she asks for some follow ups for the feature deal, it's so important to trust who you do business with I have learned--though I paid the price to learn

my fingers FLY on emails, writing my Toy Conglomerate producer and my theatre producers and suddenly it's been half an hour so I have to shove all my junk into my backpack and drive to AB's for our writing session

great work today honestly, we cruise through many scenes totally in lockstep, her husband comes home halfway through and we talk about being multi-hyphenates and how to order our loves, for me it is so easy as it always has been I love to write more than anything, if I had it my way I'd live in a box for ten hours a day with nothing but my notebook, we end around 5:20, drive home, sit in my parking space for a little while confirming tomorrow's morning meeting and congratulating the indie producer who is putting up my play this spring!

realize I've only eaten four piece of veggie bacon a yogurt and banana but it's 6 PM smash in my headphones, go full blast on Sabrina Carpenter, trot to the store, help the unhoused man and his two carts in the door, he doesn't want help but he needs it and ain't that always the way, I decide on frozen pizza for dinner, run-into a Chicago musician in the chip aisle we talk about how he's gone back to teaching and it sucks, read through more commercial notes on my phone in the long check-out line

at home I cook up veggie buffalo wings and write the DC theatre director all the good and bad news,  I don't know her very well but I am hopeful about what we will make--and soon, which is wild, I text my friend Dizz and my friend Cass and my sister and mom and the young actor I am so worried about and I watch one video about fascism and try to come up with a bunch of jokes for 10 yo girls and open this blog post

suicidal snail

We got a new snail! She is brown and curvy, and gosh she's on the move. Snails deal with a lot of speed slander. They're actually quite zippy. Haulin' shell and whatnot.

Anyway, a couple weeks into her time here we found her on the outside of the tank! She just suctioned right up and out! So silly. ...Until we found her down the whole shelving unit. Puhg carefully wiggled her until she scrunched inside herself and then dropped her back into the sea grass. Over the past couple weeks she's been out of control. A few days ago we found her halfway to the living room, a literal slime trail from her watery home.

I worry. I found her quite dry in a precarious corner. I'm looking at her now, suctioned to a rock, upside down. I find myself checking at least a few times a day, sometimes turning on my phone flashlight to really get in every and any crevice. I wish I could teach her to stay put--just to allay my fear of crunching her one insomnia-riddled night! But she doesn't know leaving the tank is suicide. She's oozed over every inch already. She's just trying to find a new pond. Only I know there are no other ponds in the apartment. She cannot help it. She longs for adventure.

gay bar last week

Wednesday was rainy, so I decided to get to the cafe an hour early. A former camper of mine from 2008 was visiting LA, DM'd me months ago asking if we could meet up. She's an artist too, she said. I suggested my favorite patio. It's where I take everyone from out of town. It feels like a movie in that green little garden of twinkle lights and wire seats. But in bad weather it becomes something else--a cramped, muggy bungalow. I snag a corner table and an Italian soda. I write a bunch of emails about my play. I recognize the girl as soon as she steps in the building even though she has a lot of piercings now. I get her a poppyseed muffin and a brookie for me.

It's so easy to talk to the camper. It helps she wasn't in my cabin, so in my head I have maybe a single flash of her in my drama class. We also discover we are in the middle of a very small club: queer artists who grew up going to religious summer camp. We're able to discuss so much, so quickly, with all kinds of shorthands and inside jokes. She's thinking about moving here, and I am honest with her--the careers are kind of over. ...But the community is very big and the sun really does shine most of the time.

I rush to catch the bus for a 4:40 mall movie. There are, like, three showings left of The Moment, and I feel very strongly I must see this film in a theatre. I arrive a little early, take a lap around the fountain, get a kids combo popcorn and Sprite. I sit in my favorite seat, the back row corner, and enjoy the movie immensely. I also remember there's half a brookie in my purse. I eat it. Puhg picks me up on the corner by the Cheesecake Factory. It's drizzling, and I'm eager to sit on the balcony, smelling the pine trees.

At night I think about how I told the camper one of the worst parts of the industry is how everyone is your friend, which means, actually, kind of, no one is your friend. It's confusing and sad. I will probably never get it. The Moment grapples with the same theme. What are relationships inside capitalistic-driven art?

The camper asked me to tell her what I thought of Charli XCX's masterpiece. She foreshadowed, "It was kind of about...what you just told me." I emailed her Thursday agreeing, yep. I added--

"Happy to serve as an artistic sounding board anytime. We are in a TINY club!"

She wrote back, ending with, "Would love to stay in touch in this tiny club <3 I’ll absolutely reach out in my future visits to come too. Hope writing goes well today!"

At 5:34 I ended our communication, "I think we’ll be seeing other again soon, a hunch!"

At 7:30 I made my way to the local gay bar for a socialists of LA meeting. I walked in and was greeted! Immediately! By this former camper! She raised her arms in surprise! She and her girlfriend were at that same bar, coincidentally, watching The Traitors. We hugged. She pointed to her phone. "You said we'd see each other soon and here we are!" Here we are. Here we always are.

vessels for drinking, in order of best to worst

hard cup with a skinny straw (like a Bando tumbler) 

soft cup with skinny straw (like at the movies)

coconut with straw

big cozy mug

glass bottle

unique vessel, like at a tiki restaurant

can

juice box situation

mason jar

glass

reg mug

athletic water bottles of varied sorts

hands

plastic bottle

plastic cup

French cafes

Although I’ve been stalking around the city with rage in my shoes, I still love my life. I can be angry and happy to be making art that resists fascism. Just like I can be sad and happy while thinking about my late aunt or afraid and happy at the top of Goliath at Magic Mountain. I am writing at the yellow coffee shop, with my gingersnap latte and plain bagel. I sit in the window, so I can people watch. I often spy friends from this seat. They’ll be trotting by, and depending on which one of us isn’t looking at a screen, the other one of us knocks at the window.

I always thought it was so funny and/or cute, when I’d learn about art history, how so many individual “names” actually rolled around in packs. French painters in their salons and beat poets in their dives and improvisers on the busy street in the most adorable nook of Los Angeles.

Much of my career here has been incredibly controlled. My days packed with meetings and a rapid clip of draft turnarounds and never saying "no" rudely and never making enemies. I’m moving with more intuition lately. I “get” a meeting with this high-powered IP-grabber at “the” top agency. She deigns me the right person to develop a hot new video game, all the rage. I ask if she knows anyone who has sold a feature based on a video game in the past five years. Her mouth forms an O then gets smaller and smaller then she shuffles papers and says, “I think I’ve heard of it happening…” After we end the zoom she forwards me a short story that Timothee Chalamet likes. I consider writing back, “This is really helpful, to know what kind of short stories Timothee Chalamet might like. My MFA is nothing. But this? This PDF you were paid 200K to find? Everything.”

Last Saturday I was supposed to have a morning meeting with a director, but had to push a week so I texted SW from bed, we should meet to write. Jam covered my fingers while she explained, it's not that people don't like me, it's that my existence makes them feel ashamed in ways I cannot control or understand. And most people would rather avoid their shame than preserve our relationship. It's not that deep, though it cuts deep. I am writing through it, but at least I don't worry about losing. I've been through this before. My voice will follow you down. And against all odds, I will probably forget about you before you can ever forget about me.

I decided, seriously, I needed to see Song Sung Blue in theatres. Made it to the mall just in time, sat in the back row and let Hugh take me away. Money talks--but it don't sing and it don't walk. It was a perfect Los Angeles evening, so I walked over to that ramen spot, sat on the patio. Made notes about a short story and dined on my cheap heaven dinner—an Impossible bao with a Diet Coke ($10).

Then this most recent Saturday--three days ago--I did get to meet with the director. I could tell he didn't really like my play, but he still sat with me for a couple hours brainstorming. Artists are so generous that way. I'm not too concerned. In general, women loved loved loved the piece and men were lukewarm. Sometimes a story is like that. Not everything is for everyone.

The afternoon was for as many emails as I could possibly respond to. I am under a lot of pressure. So many exciting opportunities, so many roads diverging, and then another American citizen was executed by ICE in broad daylight.

And then! I went for a girls' night with AB! She greeted me in pjs, holding a glass of wine, pop music playing. I told her she got an A plus. She'd texted at 9 AM asking what my favorite movie candy was, a beautiful bowl of M & Ms greeted me. We watched a perfect double feature, cheering during Revenge then stopping to laugh uncontrollably on the balcony before Drop Dead Gorgeous, the movie that made me love comedy. I love comedy so much. I believe it is medicine. I believe it is a weapon.

who can turn the world on with her smile?

who can take a nothing day, and suddenly make it all feel worthwhile?

clay

I really loved my grad school. I loved it so much. Maybe the best decision of my life was going to that crummy little huge place. Man, I milked it too. I wore tank tops all year and read by the pool and zoomed around on my scooter to seize buttermilk bars from Donut Hut in the dead of winter in the dead of night.

I loved campus. It smelled like clay. There was the term I would habitually go the gym after Dramaturgy and take the long route through Palm Walk. There was the term I'd bike to the gym at 6, hit the machines, shower, and walk into 8 AM theatre history so fresh and sparkling. My first year on Fridays I'd do laps before my sketch comedy show. My second year I'd work the disability testing center Fridays, very slow and quiet. Struggling to remember my third year. That shocks me. That I could forget my class schedule. But time has passed, it seems. It's an interesting anthropological study of one's self, to reflect on what memories make it through all the purges. How did they cling on? Held in your arms like a fawn or like leeches on the back of your calves?

I loved all my friends. I had my comedy girls, first and foremost. Then there were the comedy girls' girls to varying degrees. Then there was the comedy girl's girl's Christian girls. Then! There was grad cohort. And undergrads. And then there was work. (I hung out with work people once my entire three years at the office.) And then then comedy in general, which was just so many people. And then all their little clumpettes. And then then then was Puhg and his whole world. Which was...well a whole world! The show we did, his college friends. Some were lifelong. Some I lived with. Some I went to Vegas with. More I went to Santa Monica with. And I loved just about all of them. Even my sibling roommates, why not.

I met Puhg in the desert. We went to so many adorable brunches and basketball games. We pirated Mad Men every week and some nights he would cook us a pot of beans with tomatoes. We drove that long highway stretch over and over.

I did the military play and wrote the religion play. I wrote many sketches and loads of stand-up and a bunch of plays and/or play-like things. I taught so much screenwriting and a little improv and a little playwriting and a bit of film ethics. I laughed so much. I got pretty angry. There was some sadness, but not much, and not for long. It was a different world. I made 13K or something, and that was great! My rent was $450 for a very nice room and bathroom in a lovely condo. All the best things were free anyway. I ate an incredible amount of Taco Bell and gas station nachos, also a record high amount of Ethiopian.

I learned so so much. Some of the classes were bad. But because I later became an educator, they were useful case studies for me. And other classes were very good! I really lucked out with my theatre history professor and my thesis director, specifically. I absorbed so much about the scope of theatre, got to be inside all the moving parts, keyed into the hot stuff. I squeezed every drop.

I remember so many students. I think I see them all the time. I might. Two of them got married and live out here. They work in post.