French cafes

Although I’ve been stalking around the city with rage in my shoes, I still love my life. I can be angry and happy to be making art that resists fascism. Just like I can be sad and happy while thinking about my late aunt or afraid and happy at the top of Goliath at Magic Mountain. I am writing at the yellow coffee shop, with my gingersnap latte and plain bagel. I sit in the window, so I can people watch. I often spy friends from this seat. They’ll be trotting by, and depending on which one of us isn’t looking at a screen, the other one of us knocks at the window.

I always thought it was so funny and/or cute, when I’d learn about art history, how so many individual “names” actually rolled around in packs. French painters in their salons and beat poets in their dives and improvisers on the busy street in the most adorable nook of Los Angeles.

Much of my career here has been incredibly controlled. My days packed with meetings and a rapid clip of draft turnarounds and never saying "no" rudely and never making enemies. I’m moving with more intuition lately. I “get” a meeting with this high-powered IP-grabber at “the” top agency. She deigns me the right person to develop a hot new video game, all the rage. I ask if she knows anyone who has sold a feature based on a video game in the past five years. Her mouth forms an O then gets smaller and smaller then she shuffles papers and says, “I think I’ve heard of it happening…” After we end the zoom she forwards me a short story that Timothee Chalamet likes. I consider writing back, “This is really helpful, to know what kind of short stories Timothee Chalamet might like. My MFA is nothing. But this? This PDF you were paid 200K to find? Everything.”

Last Saturday I was supposed to have a morning meeting with a director, but had to push a week so I texted SW from bed, we should meet to write. Jam covered my fingers while she explained, it's not that people don't like me, it's that my existence makes them feel ashamed in ways I cannot control or understand. And most people would rather avoid their shame than preserve our relationship. It's not that deep, though it cuts deep. I am writing through it, but at least I don't worry about losing. I've been through this before. My voice will follow you down. And against all odds, I will probably forget about you before you can ever forget about me.

I decided, seriously, I needed to see Song Sung Blue in theatres. Made it to the mall just in time, sat in the back row and let Hugh take me away. Money talks--but it don't sing and it don't walk. It was a perfect Los Angeles evening, so I walked over to that ramen spot, sat on the patio. Made notes about a short story and dined on my cheap heaven dinner—an Impossible bao with a Diet Coke ($10).

Then this most recent Saturday--three days ago--I did get to meet with the director. I could tell he didn't really like my play, but he still sat with me for a couple hours brainstorming. Artists are so generous that way. I'm not too concerned. In general, women loved loved loved the piece and men were lukewarm. Sometimes a story is like that. Not everything is for everyone.

The afternoon was for as many emails as I could possibly respond to. I am under a lot of pressure. So many exciting opportunities, so many roads diverging, and then another American citizen was executed by ICE in broad daylight.

And then! I went for a girls' night with AB! She greeted me in pjs, holding a glass of wine, pop music playing. I told her she got an A plus. She'd texted at 9 AM asking what my favorite movie candy was, a beautiful bowl of M & Ms greeted me. We watched a perfect double feature, cheering during Revenge then stopping to laugh uncontrollably on the balcony before Drop Dead Gorgeous, the movie that made me love comedy. I love comedy so much. I believe it is medicine. I believe it is a weapon.

who can turn the world on with her smile?

who can take a nothing day, and suddenly make it all feel worthwhile?

ten days of march

taught AB the HOT TO GO dance, which we then did in the living room before sunset, she expressed concern about the G like I don't know which way to go, either way I say, either way everyone gets the idea

laughed aloud reading M___'s play with an iced mocha at the grassy knoll Sunday morning, discussed it in the dive bar over mozzarella sticks in the afternoon -- extra ranch, what she struggles with is my biggest strength, she keeps saying ohmygod this is so helpful you have no idea, but I do have an idea because what she can do is be hilarious without trying or even knowing what it means, and what I do is obsess about what everything means, I show her all the themes she's already written and which patterns could be heightened to highlight what, it's all already there I keep repeating, what do you really think I keep asking, it has a shape she says as we scootch sideways from the semi-circle booth

dancing to "Maroon" in the movie theatre bathroom before seeing Mickey17, like the old days

great s'more bar with S on a Tuesday morning, I typically use social mornings to co-write with friends, always be writing, always be producing -- maybe I'd be less of a crone if I just had a fun coffee once in a while my god

free trip to Disneyland from J -- started with Indiana Jones ended with the cold ferris wheel, in the middle there was a jalapeño stuffed pretzel, Pirates, the Lamplighter patio, the orange mist of Soarin', and I took a Mickey rice krispie home with me (in one of the bright blue bags with the castle on it)

five current bites for my play: a young LA indie producer for this summer she met me wearing a little work outfit and a professional persona I was so preoccupied with the rain I forgot my whole purse at home and had to venmo her for brussel sprouts, workshop in DC at a regional theatre next fall, add a high-powered manager for an NYC world premiere question mark when, two college kids at a local university, small collective of 20somethings who do work in an ugly corporate room

climate theatre project approved by major activist group, will pursue without funding

Puhg buys my coffee on International Women's Day, a kids' quesadilla after a 7-hour non-stop writing session

mega corporation has offered me a new commercial contract

my horoscope said "bookstores" and then I had just about 45 minutes to kill, so I walked to the bookstore -- my books have sold out twice, I creep on the restock

Puhg's aunt is going to die this time, staying on chemo until the graduation party for her youngest grandchild -- thinking about it every few steps

Sweet Potato got some carrot slices last night, she was in a mood -- one night she was a little goofball, hiding in my hoodie hood for quite some time

can't wrap my head around how fast it's happening, how a student protester was detained illegally, how I post one Instagram story about it, get a notification the app is now using facial recognition in relation to my account

LA and I do music improv at the cutest little show in town, three friends come which is just so sweet and unheard of for 8 PM on a Wednesday, we open with this song about marshmallows happily enjoying the marshmallow world (where everything is made of marshmallows) until they realize they eat marshmallows and they are marshmallows (!), their cheery little tune becomes darker and deadlier until they vow to just not think about it! The hard part of two-prov is not getting a few little minutes on the sidelines to think of initiations for the next scene, I want to bring cannibals back into the finale but never have enough time to sort out the thoughts...Donner party, snow...marshmallows... LA starts a finale about a dog show, so that's what we do and it's fine -- the next day, on a walk, it all snaps into place -- the finale should have been us in a snowstorm after a plane crash, we realize we must eat our friends but we tell one another we're not cannibals, we're just marshmallows in the marshmallow world...

queer writers' group anniversary coffee. I made hasty purple construction paper membership cards. Group name est. 2019, a little quip on the back and a shiny heart sticker. Lan calls me right as I pull into my parking spot, says he's thinking of getting his laminated, he asks if I'm available to read something -- sure I say (I'm not) I ask what he's looking for, in terms of feedback, that's what I'm hoping you can tell me about he says the shape he says

The Shake Shack in Hollywood

Wake up before the alarm, to a text, asking if I can hop on a show this Friday night. I can! A dance workout, put pumpkin rolls in the oven. Wear my new concert t-shirt. It's baby blue and reminds me of how fun it was to scream "Constant Headache" at The Greek in a row by myself.

I trot down to the coffee shop to meet Puhg for a latte. The barista working, my favorite, a young director. I journal and jet of by 9:10 to meet my writer's group for breakfast in Hirshy's beautiful backyard. I make a big deal about taking the last apple pop-tart and then don't even finish it. Shawl texts me we could write at a cafe together for an hour. I'd have to bail early and consider, as I do often these days, how much to amend my life to accommodate famous people. But the cafe is only five minutes away, so I go and order two eggs and and a lemonade and gab with the funny star. After she leaves I write a scene of my new play, make it home by 2.

Answer some emails in bed. Set up a coffee with AB for next week! Hit the pool. Read my fat Madwoman book, swim, swim, swim. In the deep end I find a bee. I use a leaf to air-lift her to the ledge. Every lap I take a peek. She seems to be breathing and drying, like ohmyGOD what was that all about?

Shower and get ready in a jif. Decide to go with grey dress and bubblegum lipstick. Hop in a cab to meet my manager at the Shake Shack on Hollywood Boulevard. If you live here, you never go to Hollywood Boulevard. It's funny to sit waiting for her around all the tourists. K___ is quite late, but I don't mind. I practice my Japanese. She shows up with her magic company credit card and I get to eat a veggie burger and Coke. And we gab about all my meetings from the week and how hopeless this industry is. But it feels better, when I'm laughing about it, eating a free veggie burger and Coke.

We walk two blocks to the networking mixer and stop to enjoy bits from the walk of fame. I take a picture with Bette Davis's star. Feels important at the time. At the mixer I see a writer I know, who immediately tells me he had to get a survival job in marketing. We run into a theatre producer and I feel myself ooze. I'm sick of oozing. We chat with another exec, clink classes with a couple other writers. One is so fresh-faced and nervous--I admire he came to this big group thing alone.

The pack heads to the theatre on foot, and we watch a brilliant production of Company. My dear friend R___ waves to me at intermission. She's wearing a bright yellow dress and looks anxious. In Act Two I spend a lot of time thinking about my own work. I try to stop myself, but inspiration can't always be tamed. My manager and I gossip out into the night and go to the chic ice cream shop to discuss everyone we know in the context of the musical. Once my mouth is black from brownie batter I call Puhg to pick me up. My manager reassures me, we are getting by. We're cockroaches, but we're alive. And then, a cockroach crawls up from the wall behind her and threatens to jump into her hair! I pull her away in the nick of time.

At 11 Sweet Potato is up, lying very flat but happily in Puhg's shadow. She gets an apple slice.