musicals on the spot pt II

Wanted to keep my word and finish the story I'd begun last month. I'm sure I've forgotten some details. My brain has been scrambled all April. Six planes, at least three work disasters, and a couple big surprises around my play productions--one good surprise, one bad surprise.

I'm supposed to be revising a draft right now, but my brain is too fried with all the Phone Things I had to do today. Promo posts on Instagram, a billion casting emails, personal texts that are important but may as well be sent from Pluto, disbelief it's almost May.

Sometimes reading a book and clacking on something completely different can get my mind back on track to actually write. When I woke up my goal was revising three scenes. But that was before the digital onslaught. Left for the cafe an hour late. Saw two girls from my building on my way. They were sipping coffee on the steps of the Scientology center. I told them my goal was revising two scenes. But there were a lot of DMs to answer and Zooms to set and texts about the show I dramaturged, up this Wednesday. So now my goal is one scene. But first, more about musicals on the spot.

Because I was slotted to do the improvised rap musical on Monday, I listened to Hamilton all week. Driving, in the shower, walking around town. To be honest it felt wrong. It's a genius show, and I still love it, but there's a significant cringeness to it now. The patriotism tastes rotten. The celebration of a money guy feels bizarre. And all the (brilliant) music time travels me to 2016. And 2016 makes me think of the orange clown.

But still! I needed the immersion. I walked to the theatre around 6, spitting out "Non-Stop." I arrived to find our beatboxer in the green room. We'd never worked together, so we shook hands. He introduced me to his cousin. Musicians are funny that way. It's kinda weird for a comedian to randomly bring a cousin or "a guy" backstage, but it's totally normal for the band.

The rest of the cast arrives. AW telling me she's been super busy with a play, JH ripping on AW, ZN is writing for a new tv show. I love the show runners and tell him so. RB admits quietly, he auditioned for them before. Close but didn't clinch it. I ask is he's a dweller or a forgetter. He says he thinks about the future more than the past. But he also laughs in a certain way.

Then I meet DD! He seems professional and nice. We've emailed about the opening choreography, the only preplanned bit in the show. We spend about two minutes small talking and exchanging Chicago names. And then! The last show (running very late) ends. On the heels of the applause we rush to the stage. We have five minutes before doors open for us. We forgo warm-ups for a single practice of the choreography, which I flub big time. I tell the group I'll get for showtime. I drink a lime La Croix, we cypher about the heat for ten or so, and then the stage manager knocks. I breathe backstage, trying to unclench my everything. This is the first time this group of people have ever been in the same room, and we're about to perform a fully improvised rap musical together. And one of us hasn't done that in six years.

The show is very good! The audience chooses our subject to be Pennywise from the book IT. Totally nuts. I play two side characters (Pennywise's mother and Finn Wolfhard) to ease back into free styling. But I hold my own. If I may brag, I crush a particular group song based on that weird part of the story where all the teens sleep together to impress a turtle god. (Not in the movie, wonder why.) I also do nail the opening choreo. I laugh a lot, sometimes you just can't help it.

We do a scant recap post-show because the next cast is creeping in. I change out of my khakis into shorts. I exit the side way to be met by a group of four 20somethings. They go quiet when I pass then one squeaks, "YOUWERESOGOOD." I turn around and say thank you, ask if they do improv. They do of course. I round the corner into the main crowd spilled onto the sidewalk. A few people reach out to nod, to say, "wow I loved you guys!"

Just as I think I'm out of the woods, I see the beatboxer and his cousin. They'd kept to themselves comparing new hip hop albums before the show. But now we've all made a thing together. The man, who I suddenly realize is quite large, wraps me in a giant hug. His cousin hops up and down, "You killed it!" I look up at the beatboxer, "No you!" I say.

I trot home thinking about how me ten years ago would never believe I would be booked on the sold out 7 PM show at the hottest comedy theatre in LA. Also pretty wild it was all based on a book I read in middle school in a cabin in Wisconsin. Life is strange.